NEWS
May 2018

FONDAZIONE PRADA: AT ITS VENICE VENUE PRESENTS THE EXHIBITION
“MACHINES À PENSER”

Fondazione Prada presents at its Venetian venue the exhibition “Machines à penser”, curated by Dieter Roelstraete.

The exhibition explores the correlation between conditions of exile, escape and retreat and physical or mental places which favor reflection, thought and intellectual production.

Machines à penser” focuses on three major philosophers of the 20th century: Theodor W. Adorno (1903-1969), Martin Heidegger (1889-1976) and Ludwig Wittgenstein (1889-1951).

The latter two shared a life-long need for intellectual isolation: Heidegger spent long periods of his life in a secluded hut in the village of Todtnauberg in the Black Forest in Germany, whilst Wittgenstein retreated on several occasions to a small mountain cabin situated in a fjord in Skjolden, Norway.

Adorno, on the other hand, was forced into exile from his native Germany during by the Nazi regime, first to Oxford and then to Los Angeles, where he wrote Minima Moralia, a collection of aphorisms that, among other themes, reflects on the fate of forced emigration.

These reflections from the background to an installation conceived by the Scottish artist and poet Ian Hamilton Finlay in 1987 titled Adorno’s Hut, a centerpiece of the exhibition alongside architectural reconstructions of the actual huts in which Heidegger and Wittgenstein wrote their respective masterpieces Being and Time (1927) and Tractatus Logico-Philosophicus (1921). These replicas double as exhibition venues within the Ca’ Corner della Regina, containing artworks and documents pertaining to the architectural archetype of the hut as a site of escape and retreat.

As Dieter Roelstraete explains: “These were the places where our protagonists hatched out their deepest thoughts. Isolation, whether chosen or imposed, appears to have inspired them decisively—and over the years their huts have proven to be an inexhaustible source of inspiration in turn for generations of artists, attracted to the fantasy of withdrawal as articulated in its most elemental architectural form.”

The exhibition also includes a historical section shedding light on the roots of philosophy’s long-standing fascination with the figure of the hermit and/in his retreat, focusing more specifically on the legend of the Church father Saint Jerome (347-419), famous for leading the life of an anchorite in the Syrian desert while translating the Bible into Latin.

The exhibition takes place on the ground floor and on the first floor of the 18th century palazzo at Ca’ Corner della Regina, creating an immersive journey that deepens our understanding of these three philosophers and the relationship between philosophy, art and architecture.

Fondazione Prada
Ca’ Corner della Regina - Venice
from 26 May to 25 November 2018

Gallery
“Machines à penser” - photo by Mattia Balsamini
“Machines à penser” - photo by Mattia Balsamini
“Machines à penser” - photo by Mattia Balsamini
“Machines à penser” - photo by Mattia Balsamini
“Machines à penser” - photo by Mattia Balsamini
“Machines à penser” - photo by Mattia Balsamini
“Machines à penser” - photo by Mattia Balsamini
“Machines à penser” - photo by Mattia Balsamini
“Machines à penser” - photo by Mattia Balsamini
“Machines à penser” - photo by Mattia Balsamini